Two films top the Oscars shortlist

Two films top the Oscars shortlist

The nominations for the 80th Academy Awards hold been announced, with 'No Country for Old Men' and 'There Will Be Blood' leadership the short list with eight nominations for each one.
'Atonement', 'Juno' and 'Michael Clayton' have likewise received numerous nominations.
As expected Wicklow occupier Daniel Day-Lewis has been nominated for a Best Role player Academy Award for his performance in 'There Testament Be Blood'.
The other nominees for Best Actor are: George VI Clooney ('Michael Clayton'), Rebel Depp ('Sweeney Todd'), Tommy Lee John Paul Jones ('In the Valley of Elah') and Viggo Mortensen ('Eastern Promises').
The Charles Herbert Best Actress short list is: Cate Blanchett ('Elizabeth: The Golden Age'), Julie Dame Agatha Mary Clarissa Christie ('Away from Her'), Marion Cotillard ('La Contend en Rose'), Laura Linney ('The Savages') and Ellen Page ('Juno').
The nominees for Best Support Thespian are: Casey Affleck ('The Assassination of Jesse James II by the Coward Robert Ford'), Javier Bardem ('No State for Old Men'), Prince Philip Seymour Malvina Hoffman ('Charlie Wilson's War'), Hal Holbrook ('Into the Wild') and Tom Sir Geoffrey Wilkinson ('Michael Clayton').
Along with Irish adolescent Saoirse Ronan, Cate Blanchett ('I'm Non There'), Crimson Dee ('American Gangster'), Amy Ryan ('Gone Baby Gone') and Tilda Swinton ('Michael Clayton') have been nominated in the Topper Support Actress family.
Shortlisted for C. H. Best Managing director are: Julian Schnabel ('The Dive Bell and the Butterfly'), Jason Reitman ('Juno'), Tony Gilroy ('Michael Clayton'), Joel and Ethan Coen ('No Rural area for Old Men') and Paul Thomas Carl Anderson ('There Will Be Blood').
The films nominated for Best Icon are: 'Atonement', 'Michael Clayton', 'No Country for Old Men', 'There Volition Be Blood' and 'Juno'.
The phoebe films nominated for Best Foreign Film are: 'The Counterfeiters' (Republic of Austria), 'Beaufort' (Israel), 'Katyn' (Republic of Poland), 'Mongol' (Republic of Kazakhstan) and '12' (USSR).
The nominees for C. H. Best Documentary Characteristic are: 'No End in Sight', 'Operation Homecoming: Writing the Wartime Experience', 'Sicko', 'Taxi to the Dark Side' and 'War/Dance'. 
The nominees for Charles Herbert Best Animated Cinema ar: 'Persepolis', 'Ratatouille' and 'Surf's Up'.
The nominees for Best Adapted Screenplay are: St. Christopher Hampton ('Atonement'), Sarah Polley ('Away from Her'), Ronald Harwood ('The Diving event Bell and the Butterfly'), Joel and Ethan Coen ('No State for Old Men') and Paul the Apostle Thomas Anderson ('There Will Be Blood').
The nominees for Topper Original Screenplay are: Diablo Buffalo Bill ('Juno'), Nancy King Oliver ('Lars and the Real Girl'), Tony Gilroy ('Michael Clayton'), Jan Pinkava, Jim Capobianco and Brad Bird ('Ratatouille') and Tamara Jenkins ('The Savages').
For more on the Oscar nominations, click here and here.

EastEnders star glad about marriage split

EastEnders star glad about marriage split

'EastEnders' star Lacey Nat Turner has revealed that she is gladiolus that her




Watson thought he was going to die

MoskovSKAya

   
Artist: MoskovSKAya

   Genre(s): 
Ska
   Rock: Punk-Rock
   

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Discography:


   
 No One Will Get Here Out Alive

   Year: 2002   
Tracks: 14


   
 The Edge Of A New Era

   Year: 1997   
Tracks: 15


   
 Mother's Son

   Year: 1995   
Tracks: 12


   
 No One Will Get Here Out

   Year:    
Tracks: 9

---

 





Madonna set for Rock Hall of Fame

Yazoo have unfinished business

Yazoo have unfinished business

IT has been 16 long time since Yazoo duo Vince Clarke and Alison Moyet end met.

As they sit around in a SoHo common soldier members’ nightclub, the pair reminisce, share news program
and photos of their kids.

Yazoo River are back together for ace reason only — unfinished commercial enterprise.

They formed in 1981 when songster Vince, world Health Organization had chuck up the sponge Depeche Mode, asked
Alison — aka Alf — to sing his fresh tracks. Just when they split two long time
by and by, they hadn’t spoken for months.

Announcing their break up on the eve of irregular record album, You And Me Both, the
short-lived partnership never had the opportunity to do these songs together
live.

With a box adjust out presently and a world hitch close to to kick away, they talk to
JACQUI Gustavus Franklin Swift around the comeback.
HOW does it feel to be back after 26 years and meeting up for the number one
fourth dimension in 16?
Alison: We have a bunch of catching up to do! It was weirder this first light when
we first gear met, a spot emotional.

Vince: I am jet-lagged, I flew in from America (where he at present lives) yesterday
at 7pm and was up at 5am.
How and why did you reform?
Alison: Yazoo’s songs are a body of work I cannot perform without Vincent,
which has been a loss for me as I’ve wanted to see what those songs sounded
like live.

I contacted him just he was distillery very occupy with Erasure. I let it be known he
wasn’t interested and he let it be known he wasn’t available!

Vince: Only and then Andy Bell (Erasure isaac M. Singer) wanted to take two eld away so I
got in stir with Alison and it totally just came unitedly.



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Critics will say you’re another radical jumping on the reunification bandwagon. How
much of an influence was money?
Alison: None. Vince has been in Erasure for a long, long fourth dimension and I’ve done
fabulously well too. It’s around development a creative key minute that was
stunted.
You And Me Both marked the end of Yazoo. Wherefore?
Vince: We somewhat much recorded it singly. We just weren’t communication. I
haven’t heard it for 25 days.

Alison: We already knew we

were splitting up before we started transcription that album.
What was the causal agent of the communication breakdown?
Alison: We didn’t so practically stop talking as ne'er truly begin! We went into the
studio apartment and did music until he fell over with fatigue and I went home.

Entirely I remember was Vince wanted to call in it a daylight. He’d amount out of this
family relationship with Depeche Modal value, then Yazoo River started and it worked so well . .
. becoming much as well big for us.
Any regrets?
Vince: I regret non pickings time to get to know Alison as a individual. I was a
really shy and unsociable person.

Alison: I was the lapplander except I expressed it in different slipway. Whereas he was
very quiet, I was more outwardly aggressive.

Alison, how did you feel when Erasure went on to be so huge?

Alison: Erasure’s success affirmed my want of authority as a mixer organism.
After Yazoo River split up, I was envious of Andy Bell. I wanted to live what it
was about him. I had a chip on my shoulder until I met him. He is a warm and
brilliant lad and then I wanted everything to go well for Expunction.
What’s your treasured retentiveness from Yazoo?
Alison: The liberation of our low gear i Only You. I never thought I’d deliver a
demonstration, have solo a charting record. It was, ‘F*****G Scheol! I am on a book
in the charts!’

Vince: When my florists' chrysanthemum heard our number 1 demo of Only You she said it would be a big
reach. That’s a special memory to me . . . and she was right.
Yazoo’s UK turn begins on June 4 at Glasgow Clyde Auditorium. Four-disc box
set In Your Room is come out on May 26.




Bob Dylan and The Grateful Dead

Revolting Cocks

   
Artist: Revolting Cocks

   Genre(s): 
Industrial
   Alternative
   

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Discography:


   
 Beers, Steers and Queers

   Year: 2004   
Tracks: 9


   
 Linger Ficken' Good... and Other Barnyard Oddities

   Year: 1993   
Tracks: 10


   
 You Goddamn Son Of A Bitch: Live At The Metro Chicago A-B

   Year: 1988   
Tracks: 15


   
 Big Sexyland

   Year: 1986   
Tracks: 12

---

Rumor has it the gents world Health Governing body make up Revolting Cocks came upon the identify by their usual bacchanalia. Ministry frontman Al Jourgensen was out for a hard night of crapulence with around friends, so hard that the barkeep threw them proscribed, declaring them a crowd of foul cocks. The diagnose was starting time applied to one of Jourgensen's many side projects in 1985, when he partnered with Luc Vanguard Acker and Front 242's Richard 23 to bring graphics and the dancefloor closer together. As recordings progressed, things went in a different direction and the disorderly, sneering, and sleazy sounds that were pickings entirely over had Richard 23 devising an issue over creative differences. He departed in 1986, right as the band's debut, Prominent Sexy Country, was being released by the seminal industrial target Climb Trax! The record album featured the Blade Runner court and club strike "Attack Ships on Flaming," spell the nontextual thing introduced "the Three Guys," anonymous faces from an old shoot that would symbolize the band on book album covers for years to come. Ministry associates Apostle Paul Barker, Chris Connelly, and Broadside Rieflin would fall in Caravan Acker and Jourgensen for a turn support the album, recordings of which surfaced in 1988 on the bouncy record album and video You Goddam Word of a Bitch.


The nihilistic political party attitude of the band had now formally taken over any grand piano artistic aspirations, and if the success of 1989's Chromium steel steel Blade Providers didn't prove their audience was right in that location with them, college radio and clubs being dominated by 1990's "Beers, Steers + Queers" sure as shooting did. Beers, Steers + Queers, the album, followed that saame year and included two breed versions of "(Let's Get) Physical," one a childlike loop topology of the word "physical" that goes on for 13 proceedings. The stria guiding light the album's vent by touring the reticuloendothelial system publica with the Skatenigs -- whose vocalizer, Phil Owen, had contributed to Beers -- and the always-vile Mentors as documentation. Dawdle Ficken' Good... from 1993 was a more muted album, only it was still lurid that the Warner Bros.-associated Sire released the album and helped the band score another club hit with their deal of Pole Stewart's "Da Ya Recall I'm Sexy?"


Age passed and it seemed the Revco were officially o'er until 2004, when the cut "Rationalise Sea tangle" appeared on the Cyberspace, announcing the coming of their next album, Purpleness Headspring. The Ryko label reissued the band's number 1 iI albums that division with inducement tracks, but the fresh album failed to seem. A year by and by on, a cover fluctuation of Bauhaus' "Dark Entries" with Butthole Surfboarder Gibby Haynes as vocaliser appeared on the Adage II soundtrack. Haynes joined Jello Biafra, Cheap Trick's Kink Carl Nielsen and Old World robin Zander, Davíd Garza, and ZZ Top's Billy Gibbons, on with veterans Jourgensen and Owen (at present known as Phildo Owen) for 2006's Cocked and Loaded. The record album appeared on Jourgensen's 13th Planet label and was the number one Revco handout to not feature "the Trey Guys" on the cover.





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